*
38 The Womans Prize; or, the Tamer tamed.
39 The Island Princess.
40 The Noble Gentleman.
41 The Coronation.*
42 The Coxcomb.
43 Sea-Voyage.
44 Wit at several Weapons.
45 The Fair Maid of the Inn.
46 _Cupids_ Revenge.*
47 Two Noble Kinsmen.*
48 _Thierry_ and _Theodoret_.*
49 The Woman-Hater.*
50 The nice Valour; or, the Passionate Madman.
51 The Honest Man's Fortune.
_A Mask at_ Grays-Inn, _and the_ Inner Temple; _Four Plays, or Moral
Representations_.
APPENDIX.
_In the following references to the text the lines are numbered from the
top of the page, including titles, acts, stage directions, &c., but not,
of course, the headline. Where, as in the lists of Persons Represented,
there are double columns, the right-hand column is numbered after the
left._
It has not been thought necessary to record the correction of every
turned letter nor the substitution of marks of interrogation for marks
of exclamation and _vice versa_: the original compositor's stock of
each running low occasionally, he used the two signs somewhat
indiscriminately. Full-stops have been silently inserted at the ends of
speeches and each fresh speaker has been given the dignity of a fresh
line: in the double-columned folio the speeches are frequently run on.
Only misprints of interest in the Quartos are recorded.
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