Mitchell (`Scribner's Magazine', 11. 171, December, 1875),
Nugator (`So. Lit. Mes.', 4. 356, June, 1838), C. J. O'Malley
(`So. Bivouac', 2. 698, April, 1887), Albert Pike (Stedman & Hutchinson's
`Amer. Lit.', New York, 1891, vol. 6), D. Robinson (`Century', 24. 480,
July, 1893), Clinton Scollard (`Pictures in Song', New York, 1884),
H. J. Stockard (`The Century', xlviii. 898, Oct., 1894),
T (`So. Lit. Mes.', 11. 117, February, 1845), Maurice Thompson
(`Poems', Boston, 1892: several; also `Lippincott's Magazine', 32. 624,
December, 1883), L. V. (`So. Lit. Mes.', 10. 414, July, 1844),
Walt Whitman (`Burroughs', l.c., also in Whitman's `Poems'), R. H. Wilde
(`Burroughs', l.c., and Stedman & Hutchinson's `Am. Lit.', vol. 5).
Roughly speaking, the poems may be divided into two classes --
first those that, as in the Indian legend cited below,
make out the mocking-bird only or chiefly a thief and thing of evil,
and second those that find him, though a borrower, original and great.
The former view, fortunately upheld by few, is strikingly set forth
in Granald's `The Mock-bird and the Sparrow'.
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