"*25*
In this earnest ascription of spirituality to the leaves
Lanier recalls Ruskin.*26*
--
*1* See `The Waving of the Corn' and `Corn'.
*2* See `Clover'.
*3* See `The Mocking-Bird' and `To Our Mocking-Bird'.
*4* See `Tampa Robins'.
*5* See `The Dove'.
*6* See `From the Flats', last stanza.
*7* See `Sunrise'.
*8* See `Sunrise' and `Corn'.
*9* See `The Song of the Chattahoochee' and `Sunrise'.
*10* See `Corn'.
*11* See `Sunrise' and `At Sunset'.
*12* See `Individuality'.
*13* See `Sunrise', etc.
*14* See `At Sunset'.
*15* See `The Marshes of Glynn', and read Barbe's tribute to Lanier,
cited in the `Bibliography'.
*16* `Intimations of Immortality', ll. 202-203.
*17* `The Symphony', l. 3.
*18* `The Symphony', ll. 13-14.
*19* `Clover', l. 57.
*20* `Individuality', l. 1.
*21* `Sunrise', l. 42.
*22* `Corn', ll. 4-9. Compare `The Symphony', ll. 183-190.
*23* Hayne's `In the Gray of Evening': Autumn, ll. 37-46,
in `Poems' (Boston, 1882), p. 250.
*24* `The Marshes of Glynn', ll. 61-64, 75-78.
*25* `Sunrise', ll. 39-53.
*26* See his `Modern Painters', vol.
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