Opening the paper one morning, I read that Mrs. Alexander Worple
had presented her husband with a son and heir.
I was so darned sorry for poor old Corky that I hadn't the heart to
touch my breakfast. I told Jeeves to drink it himself. I was bowled
over. Absolutely. It was the limit.
I hardly knew what to do. I wanted, of course, to rush down to
Washington Square and grip the poor blighter silently by the hand; and
then, thinking it over, I hadn't the nerve. Absent treatment seemed the
touch. I gave it him in waves.
But after a month or so I began to hesitate again. It struck me that it
was playing it a bit low-down on the poor chap, avoiding him like this
just when he probably wanted his pals to surge round him most. I
pictured him sitting in his lonely studio with no company but his
bitter thoughts, and the pathos of it got me to such an extent that I
bounded straight into a taxi and told the driver to go all out for the
studio.
I rushed in, and there was Corky, hunched up at the easel, painting
away, while on the model throne sat a severe-looking female of middle
age, holding a baby.
A fellow has to be ready for that sort of thing.
"Oh, ah!" I said, and started to back out.
Corky looked over his shoulder.
"Halloa, Bertie. Don't go. We're just finishing for the day. That will
be all this afternoon," he said to the nurse, who got up with the baby
and decanted it into a perambulator which was standing in the fairway.
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