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Stevenson, Robert Louis, 1850-1894

"Weir of Hermiston"


Auld, auld Elliotts, clay-cauld Elliotts, dour, bauld Elliotte of auld!"

All the time she sang she looked steadfastly before her, her knees
straight, her hands upon her knee, her head cast back and up. The
expression was admirable throughout, for had she not learned it from the
lips and under the criticism of the author? When it was done, she
turned upon Archie a face softly bright, and eyes gently suffused and
shining in the twilight, and his heart rose and went out to her with
boundless pity and sympathy. His question was answered. She was a
human being tuned to a sense of the tragedy of life; there were pathos
and music and a great heart in the girl.
He arose instinctively, she also; for she saw she had gained a point,
and scored the impression deeper, and she had wit enough left to flee
upon a victory. They were but commonplaces that remained to be
exchanged, but the low, moved voices in which they passed made them
sacred in the memory. In the falling greyness of the evening he watched
her figure winding through the morass, saw it turn a last time and wave
a hand, and then pass through the Slap; and it seemed to him as if
something went along with her out of the deepest of his heart.


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