" Evidently, during all those
years, Whitman could not decide what to reply. On the one hand he was
moved by his horror of being questioned, by his caution, by his natural
aversion to express approval of anything that could be called unnatural or
abnormal. On the other hand, he was moved by the desire to let his work
speak for itself, by his declared determination to leave everything open,
and possibly by a more or less conscious sympathy with the inferences
presented to him. It was not until the last years of his life, when his
sexual life belonged to the past, when weakness was gaining on him, when
he wished to put aside every drain on his energies, that--being
constitutionally incapable of a balanced scientific statement--he chose
the simplest and easiest solution of the difficulty.[99]
Concerning another great modern writer--Paul Verlaine, the first of modern
French poets--it seems possible to speak with less hesitation. A man who
possessed in fullest measure the irresponsible impressionability of
genius, Verlaine--as his work shows and as he himself admitted--all his
life oscillated between normal and homosexual love, at one period
attracted to women, at another to men.
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