[63]
A temperament of this kind seems to have had no significance for the men
of those days; they were blind to all homosexual emotion which had no
result in sodomy. Plato found such attraction a subject for sentimental
metaphysics, but it was not until nearly our own time that it again became
a subject of interest and study. Yet it undoubtedly had profound influence
on Michelangelo's art, impelling him to find every kind of human beauty in
the male form, and only a grave dignity or tenderness, divorced from every
quality that is sexually desirable, in the female form. This deeply rooted
abnormality is at once the key to the melancholy of Michelangelo and to
the mystery of his art.
Michelangelo's contemporary, the painter Bazzi (1477-1549), seems also to
have been radically inverted, and to this fact he owed his nickname
Sodoma. As, however, he was married and had children, it may be that he
was, as we should now say, of bisexual temperament. He was a great artist
who has been dealt with unjustly, partly, perhaps, because of the
prejudice of Vasari,--whose admiration for Michelangelo amounted to
worship, but who is contemptuous toward Sodoma and grudging of
praise,--partly because his work is little known out of Italy and not
very easy of access there.
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