No one seemed to realise that it was the
most important thing he had ever done in his life. This quickened his
eagerness to get it published--an eagerness only tempered by a very
real fear of those knowing dogs, the critics. He could not forget
that he had criticised a good many books himself in terms that would
have made the authors abandon their profession if they had but heard
his strictures; and he had read notices in the papers that would have
made him droop with shame if they had referred to any work of his.
When these sombre thoughts came to him he would pick up his book and
read it again, and in common fairness he had to admit to himself that
he found it uncommonly good.
One day, after a whole batch of ungrammatical novels had reached him
from the library, he posted his manuscript to his favourite
publisher. He had heard stories of masterpieces many times rejected,
so he did not tell his wife what he had done.
II. The Sleepy Publisher
The publisher to whom our author had confided his manuscript stood,
like all publishers, at the very head of his profession. His business
was conducted on sound conservative lines, which means that though he
had regretfully abandoned the three-volume novel for the novel
published at six shillings, he was not among the intrepid
revolutionaries who were beginning to produce new fiction at a still
lower price. Besides novels he published solid works of biography at
thirty-one and six, art books at a guinea, travel books at fifteen
shillings, flighty historical works at twelve-and-sixpence, and cheap
editions of Montaigne's Essays and "Robinson Crusoe" at a shilling.
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