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Middleton, Richard

"The Ghost Ship"

On the contrary, the jumble of experiences and impressions
which fell to the lot of the author as to us all had assuredly been
placed in the athanor of art, in that furnace of the sages which is
said to be governed with wisdom. Lead entered the burning of the
fire, gold came forth from it.
This analogy of the process of alchemy which Richard Middleton has
himself suggested is one of the finest and the fittest for our
purpose; but there are many others. The "magic wand" analogy comes to
much the same thing; there is the like notion of something ugly and
insignificant changed to something beautiful and significant.
Something ugly; shall we not say rather something formless transmuted
into form! After all, the Latin Dictionary declares solemnly that
"beauty" is one of the meanings of "forma" And here we are away from
alchemy and the magic wand ideas, and pass to the thought of the
first place that I have quoted: "the streets were more than a mere
assemblage of houses," The puzzle is solved; the jig-saw--I think
they call it--has been successfully fitted together, There in a box
lay all the jagged, irregular pieces, each in itself crazy and
meaningless and irritating by its very lack of meaning: now we see
each part adapted to the other and the whole is one picture and one
purpose.
But the first thing necessary to this achievement is the recognition
of the fact that there is a puzzle. There are many people who go
through life persuaded that there isn't a puzzle at all; that it was
only the infancy and rude childhood of the world which dreamed a vain
dream of a picture to be made out of the jagged bits of wood, There
never has been a picture, these persons say, and there never will be
a picture, all we have to do is to take the bits out of the box, look
at them, and put them back again.


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