This is the magisterial
theory, and this is rubbish.
So far as I have seen them, in connection with the dirtiest book-stalls
in the poorest districts, the facts are simply these: The whole
bewildering mass of vulgar juvenile literature is concerned with
adventures, rambling, disconnected and endless. It does not express any
passion of any sort, for there is no human character of any sort. It
runs eternally in certain grooves of local and historical type: the
medieval knight, the eighteenth-century duellist, and the modern cowboy,
recur with the same stiff simplicity as the conventional human figures
in an Oriental pattern. I can quite as easily imagine a human being
kindling wild appetites by the contemplation of his Turkey carpet as by
such dehumanized and naked narrative as this.
Among these stories there are a certain number which deal
sympathetically with the adventures of robbers, outlaws and pirates,
which present in a dignified and romantic light thieves and murderers
like Dick Turpin and Claude Duval. That is to say, they do precisely the
same thing as Scott's 'Ivanhoe,' Scott's 'Rob Roy,' Scott's 'Lady of
the Lake,' Byron's 'Corsair,' Wordsworth's 'Rob Roy's Grave,'
Stevenson's 'Macaire,' Mr.
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